[148] It took place a second time in October and November 2014 in Livorno, moderated by Antonio Tentori. [37], Raf Donato, a variant of Raffaele Donato's name, was used for the directorial credit on Deep Blood (1989). (Produzioni Cinematografiche Massaccesi). [9] D'Amato also assisted in the dubbing of Italian film productions[11] and designed title and end credits with Eugenio Bava, cutting the letters out by hand. Cinematographer: Francisco Sánchez, Cameraman. [24] In retrospect, it was a kind of turning point in D'Amato's career, being his first pornographic film – though still softcore. [104][105], His best known pseudonym is the anglicized Joe D'Amato, which he first adopted as director of Giubbe Rosse (1975). [92] Two recurring actresses in his films from 1996 to 1999 were Selen (Raw & Naked, Queen of the Elephants, Sahara, and Selen the Girl from Treasure Island) and Éva Henger, with whom he shot the time travel films Experiences and Experiences 2, a trilogy on the capital sins, Phantom (using footage from the silent film The Phantom of the Opera), and Showgirl. They have been called his "porno-peplum trilogy". [124][125], The pseudonym Peter Newton was used for D'Amato's credit as cinematographer on Paradiso blu (1980)[126] and his directorial credit on Absurd (1981). [103], The first pseudonyms used by Aristide Massaccesi were his actor's credits in the Spaghetti Westerns Straniero... fatti il segno della croce! This list takes into account the entire Canadian population, which consists of Canadian citizens (by birth and by naturalization), landed immigrants and non-permanent residents and their families living with them in Canada as per the census. [82][83] After these, D'Amato directed Frankenstein 2000 (1992), his last horror film, which combined a modern take on the traditional Frankenstein story with elements of the rape and revenge film. [11][12], In 1969, Piero Livi's Pelle di bandito and Silvio Amadio's No Man's Island (Italian: L'Isola delle Svedesi) were D'Amato's first films as cinematographer. [citation needed] Starting in the early 1980s, D'Amato produced many of his own and other directors' genre films through the companies he founded or co-founded, the best known being Filmirage. d'Amico Società di Navigazione SpA The d’Amico Group, founded in 1952, is a world leader in maritime transportation in the Dry Cargo and Product Tankers sectors and offering international shipping services relating to the core businesses. [22] However, it was regularly used for other credits. In 1995, he directed the erotic drama Provocation set in the Italian countryside of the 1930s starring Erika Savastani,[94] and in 1997 the erotic comedy Top Girl set in and around an American TV station[94] and the erotic thriller The Hyena starring Cinzia Roccaforte, which received a limited theatrical release in Italy. [75] After these, D'Amato produced and directed two erotic dramas with Tara Buckman: Blue Angel Cafe and High Finance Woman. From Wikipedia, the free encyclopedia 18 Presents (Italian: 18 regali) is a 2020 Italian drama film written and directed by Francesco Amato, with Vittoria Puccini, Benedetta Porcaroli and Edoardo Leo in lead roles. Aristide Massaccesi (15 December 1936 – 23 January 1999), known professionally as Joe D'Amato, was an Italian film director, producer, cinematographer, and screenwriter who worked in many genres (westerns, decamerotici, peplum, war films, swashbuckler, comedy, fantasy, postapocalyptic film, and erotic thriller) but is best known for his horror, erotic and adult films. Alessio D'Amato Assessore Sanità e Integrazione Socio-Sanitaria Alessandra Sartore (fino al 1º marzo 2021) Assessore Programmazione Economica, Bilancio, Demanio e Patrimonio Mauro Alessandri Assessore Lavori Pubblici e Tutela del Territorio, Mobilità Alessandra Troncarelli Assessore Politiche Sociali, Welfare ed Enti Locali Claudio Di Berardino Assessore Scuola e … [89] For Chinese kamasutra he signed with the pseudonyms Chang Lee Sun (director), Fu Shen (scenarist) and Hsu Hsien (cinematographer). [107][108] However, D'Amato's son Daniele, a camera operator and cinematographer, started his career working for his father.[109][110]. It recounted the final days of the Roman Emperor Caligula and was followed by two purely hardcore pornographic films – Una vergine per l'impero romano and Messalina orgasmo imperiale – in which D'Amato reused sets and costumes from the first film, albeit on a significantly lower budget. [120] (previous page) () Meneghello vs. D'Amato at Alpe Adria Open 4 on Tapology. [106], The pseudonyms Federico Slonisco Jr. and Dan Slonisko (including variant spellings) are also sometimes considered to belong to D'Amato. Hofbauer-Kongress in drei Teilen (1/3) | filmgazette", "16. [21] It turned a good profit, and D'Amato later considered it his best film in this period. [citation needed], The pseudonym Federiko Slonisko, sometimes also spelled Federico Slonisco or any mixture of these two spellings (including the short form Fred and several other mis- or variant spellings), was regularly used for D'Amato's work as cinematographer starting in 1982. [11] and some of Demofilo Fidani's low-budget Spaghetti Westerns. [141] Both Laura Gemser, with whom he worked together for a long time, and Monica Zanchi pointed out his adventurous and playful approach to filmmaking. [87] In order to return to adult filmmaking more easily, D'Amato initially teamed up with Luca Damiano, with whom he shot roughly 20 films before continuing on his own. Această listă de personalități marcante din Roma cuprinde: . 02/01/2020 - Francesco Amato directs an emotional, metaphysical adventure based on a true story involving Elisa Girotto, a mother who leaves her newborn daughter a present for each of her future birthdays Benedetta Porcaroli (and Edoardo Leo and Vittoria Puccini in the background) in 18 Presents [127] Kevin Mancuso was used for the directorial credit on 2020 Texas Gladiators (1982); D'Amato co-directed the film with George Eastman so it can be considered a pseudonym for both Eastman and D'Amato. It consists of two different business models. Retrieved 10 March 2019. sfn error: multiple targets (2×): CITEREFKinnardCrnkovich2017 (, https://www.myheritage.com/names/renato_massaccesi, "Cashiers du Cinemart – Issue 17 – American Ticklers : The Early R-Rated Films of Chuck Vincent", "Straniero... fatti il segno della croce! D'Amato is reported to have collaborated on some of these himself as well, although it remains speculative in which function and on which ones. "Sexy Pirates – DVD Review | Inside Pulse". Infogram is an easy to use infographic and chart maker. Alessio, a young man seemingly ordinary, lives the relationships with the other sex in a traumatic way. – The Spaghetti Western Database", "Fists, Pirates and Karate (1973) – FilmAffinity", "Che paura/ Al via a Pietrasanta il "Joe D'Amato Horror Festival", cinque giorni di orrore... – Affaritaliani.it", "Joe d'Amato Horror Festival ∂ HorrorMagazine", "Joe D'Amato Horror Festival – Un bicchiere di vino rosso con Daniele Massaccesi – YouTube", "Ein Bericht vom 17. Anticoagulants, commonly known as blood thinners, are chemical substances that prevent or reduce coagulation of blood, prolonging the clotting time. [64], In 1980, D'Amato had taken over a company from producer Ermanno Donati. [98], On 23 January 1999, Joe D'Amato died of a heart attack in Monterotondo, a comune in the Metropolitan City of Rome Capital. \:/i£G™sYZ¡23@ù˜2Œ=9íâL”OÎC]|cØCê. Capurro vs. Benci at Alpe Adria Open 4 on Tapology. [90], In between shooting adult films from 1994 to 1999, D'Amato also made four attempts at returning to genre films. Sant'Alessio in Aspromonte es un municipalitate que se trova in le provincia de Reggio Calabria, in le region del Calabria, in Italia Pecietta de geographia Iste articulo es ancora in stato embryonic: illo es un pecietta . Her name was used for the directorial credit because, according to Luigi Cozzi, the producer did not want it to be seen as an erotic film (for which D'Amato was already known at the time). [156], First work as cinematographer and director (1969–1975), First films with Laura Gemser and the Black Emanuelle series (1975–1977). [37][55] The reason for this lay in avoiding one of two criminal charges per film since the state only charged the executive manager of the company and the director; them being the same person, only one charge was brought forth. [6] In the horror genre, he is above all remembered for his films Beyond the Darkness (1979) and Antropophagus (1980), which have gained cult status, as well as Absurd (1981). [61], Messalina orgasmo imperiale (shot in 1982) also happened to be the last film of this period. From 1979 to 1982 and from 1993 to 1999, D'Amato also produced and directed about 120 adult films. Of the Caribbean group of films it received the earliest theatrical release – the films only being released gradually throughout 1980 and 1981. [139] It was used as directorial credit for 10 films directed by Franco Lo Cascio; it is unclear in which of these films D'Amato acted as co-director. Gomorrah (Italian: Gomorra - La serie) is an Italian crime drama television series created by Roberto Saviano for Sky Atlantic.Based on Saviano's book of the same name, the show premiered on Sky Atlantic in Italy on 6 May 2014, and has run for four seasons; a fifth and last season will air in 2021. [25], Eva nera was the exotic erotic drama which D'Amato directed starring Gemser as topless snake dancer alongside Jack Palance and Gabriele Tinti – her future husband. [24] D'Amato added some violence and horror to the series such as the fake snuff film footage in Emanuelle in America,[30] a gang rape scene in Emanuelle Around the World (1977) ,[31] and gore scenes in the cannibal film Emanuelle and the Last Cannibals. [36][37][34], In mid-October 1978, back in Italy, D'Amato started shooting the nunsploitation film Images in a Convent ,[38][39] and in early 1979, which was to become a particularly productive year,[40] he directed the violent erotic thriller Il porno shop della settima strada (The Pleasure Shop on Seventh Avenue[41]) on location in New York,[42] both films produced by Franco Gaudenzi's company Kristal Film. [61][123][62], The directorial credit of Il succo del sesso (1983), which D'Amato directed, reads Gilbert Damiano - an allusion to Gerard Damiano. [98][101][102], Throughout his career, D'Amato used his birthname Aristide Massaccesi only once for a directorial credit, namely for Death Smiles on a Murderer (1973). [71] In an interview, Larry Revene, Vincent's usual cinematographer, remembered that he worked on the sync sound for this film instead, because "Aristide shot it. Inspired by the extraordinary story of Elisa Girotto, the woman who moved the world by leaving 18 birthday gifts for her daughter when … [47][48][29][49] For Porno Esotic Love, D'Amato reused material from Eva nera (1976), especially those scenes D'Amato had shot with Laura Gemser in Hong Kong. [66], In 1983 and 1984, D'Amato produced and shot the post-apocalyptic action films Endgame (1983) starring Al Cliver, George Eastman, Laura Gemser and Gordon Mitchell, which D'Amato directed alone, and 2020 Texas Gladiators (1984) starring Al Cliver and Sabrina Siani, which D'Amato co-directed with George Eastman. Hofbauer Kongress : POINT OF VIEW : artechock", "Due+mattacchioni+al+Moulin+Rouge" "Bianco e nero", "La+sfinge+sorride+prima+di+morire+" "Bianco e nero", "Emanuelle – Perché violenza alle donne? Trinity Has Arrived in Eldorado and A Bounty Killer in Trinity) and decamerotici (More Sexy Canterbury Tales and Novelle licenziose di vergini vogliose) which he partly directed, partly co-directed [15] before going on to direct the gothic horror film Death Smiles on a Murderer (1973) and the war film Heroes in Hell (1974), both starring Klaus Kinski. For M.A.D., Alessandroni, an engineer, provided the funding, while his son acted as producer on set. In particular, he is persecuted by nightmares where he sees himself at the mercy of the women closest to him: his aunt, his sister and even her mother. [71], There followed a phase in which D'Amato directed softcore films predominantly in the United States, often takes on popular American films. [142] She also recalled that, much like herself, D'Amato fell asleep easily and anywhere, even in the breaks between rehearsals. [128], The female pseudonym Joan Russell was used for D'Amato's directorial credit on Una tenera storia (1992). [67][77][9] D'Amato not only produced, but also partially directed the horror film Killing Birds and but for the first scene directed the sharksploitation drama Deep Blood. Il fantasma, directed by Joe D'Amato (1998) Un mostro di nome Lila, directed by Enrico Bernard (1998) A Song for Eurotrash, directed by Peter Stuart (1998) I sogni proibiti di Lila, directed by Enrico Bernard (1999) Il giuoco dei sensi, directed by Enrico Bernard (2001) E adesso sesso, directed by Carlo Vanzina (2001) Max-G Hunter Production (2001) - sit-com of Stracult ; Gangs … [37] The Borsky pseudonym was used as directorial credit for 14 of the 15 films produced by D'Amato's companies M.A.D. [11] D'Amato used this main pseudonym of his exclusively for credits as producer and director and not for credits as cinematographer or writer. [9][11] Being the most enterprising of the three sons, D'Amato took on the task of delivering the movie cameras his father sold. in 1984 and 1985. Of these 14 films, Bernabei directed 3, D'Amato 11. [140], According to the actresses who worked with him, D'Amato was sociable, humorous with a sense of irony, amiable, and supportive; to some he appeared like a father. He started out with a number of small western films (Go Away! Pages in category "Italian male given names" The following 200 pages are in this category, out of 962 total. ", "Joe D'Amato. [13] In the 1960s, D'Amato eventually moved on to work as a camera operator on numerous films including Mario Bava's Hercules in the Haunted World. Starting in 1972, he directed and co-directed around 200 films under numerous pseudonyms, regularly acting as cinematographer as well. Romano Gastaldi, the pseudonym of Romano Scandariato, was used for the directorial credit on More Sexy Canterbury Tales (1972), which D'Amato directed while Scandariato was his assistant director,[133] and for Fra' Tazio da Velletri (1973), which D'Amato left after a disagreement soon after the beginning of the shoot; Scandariato, his assistant, finished the film and was credited. D'Amato worked in the 1950s as electric and set photographer, in the 1960s as camera operator, and from 1969 onwards as cinematographer. [136], Alexandre Borsky, sometimes spelled Alexander or Borski, was the pseudonym of Claudio Bernabei. Cameraman. [137], Lucky Faar (or Farr) Delly, sometimes wrongly listed as a pseudonym of Joe D'Amato,[138] was in reality the pseudonym of Luciano Fardelli, who acted as administrator of D'Amato's production company M.A.D. it owns a modern and Eco fleet of Dry bulk carriers and Products tankers. [11] In 1991, D'Amato stated he had discovered the name in some calendar and chosen to use it because it sounded promising: In its mixture of American and Italian, it was similar to those of Brian de Palma and Martin Scorsese. [129][130] It was also used not for D'Amato, but for Donatella Donati and Antonio Tentori as story and screenwriting credit in Frankenstein 2000 (1992), which D'Amato produced and directed. Guida al cinema estremo e dell'orrore", "Daniele Massaccesi racconta Joe D'Amato", https://en.wikipedia.org/w/index.php?title=Joe_D%27Amato&oldid=1019597381, Articles with unsourced statements from September 2018, Articles containing Italian-language text, Articles with unsourced statements from October 2018, Articles with unsourced statements from March 2019, Articles with unsourced statements from August 2017, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, Film director, film producer, cinematographer, screenwriter, actor, Cameraman. [1] His father was Renato Massaccesi, who after an incident on a ship had been declared a war invalid and had started to work at the Istituto Luce in Rome first as electrician, fixing power generators left by the United States army at Cinecittà, and then as chief photographic technician. [17] When D'Amato was in Canada shooting a sleigh ride sequence for Lucio Fulci's Challenge to White Fang, the film's producer Ermanno Donati asked him to stay and direct the adventure film Red Coats for him,[19][20] in which D'Amato used the pseudonym "Joe D'Amato" for the first time. The first business model is the Make your own here. [151][152], On 1–3 February 2019, honoring the 20th anniversary of D'Amato's death, the Filmarchiv Austria held a "Tribute to Joe D'Amato" at the Metro Kinokulturhaus in Vienna in which 10 films he directed were shown from original 35 mm prints. Bernabei stated in an interview that he created it with Walerian Borowczyk's name in mind. and Cinema 80 from 1980 to 1982. [37] In 1993 and 1994, D'Amato briefly reactivated this name as directorial credit for a small number of adult films starring Luana Borgia which he directed while transitioning from softcore to hardcore again. Aristide Massaccesi (15 December 1936 – 23 January 1999), known professionally as Joe D'Amato, was an Italian film director, producer, cinematographer, and screenwriter who worked in many genres (westerns, decamerotici, peplum, war films, swashbuckler, comedy, fantasy, postapocalyptic film, and erotic thriller) but is best known for his horror, erotic and adult films.[1][2][3][4]. [12], D'Amato began this hardcore-free period by directing four softcore dramas set during fascism in Italy and starring Lilli Carati and Laura Gemser: L'alcova (The Alcove), Il piacere (The Pleasure), Lussuria (A Lustful Mind), and Voglia di guardare (Midnight Gigolo). David Hills was used by D'Amato as directorial pseudonym on the following films: David Hills was also used as directorial credit on an early announcement of Deep Blood (1989), but was exchanged by the allonym Raf Donato for the official release. Rigon vs. D'Amato at Alpe Adria Open 4 on Tapology. Cinematographer: José F. Aguayo, Cameraman. Alessio Benci defeats Carlos Sanchez via 3 Round Decision Benci Decision Round 3. The four films recall the style and themes of Tinto Brass's La chiave (The Key) while their plots and characters are not interconnected in any way. [12] In 1952, D'Amato worked as a still photographer on the set of The Golden Coach,[11] later as electric. D'Amato directed the rest of the film. Alessio D’Amato eccellente nel suo ruolo della sanita regione Lazio, accusato dalle opposizioni su vicende antiche x aver denunciato Angelucci pescecane del S. Raffaele, il quale ha x anni ha derubato la regione Lazio,e nel 2017, provo’ a corrompere Alessio d’Amato x alcuni finanziamenti alle sue cliniche.La destra di sta vendicando pur avendo tanti scheletri negli … [23], In his next film, the commedia sexy Voto di castità (1976, scripted by George Eastman), D'Amato met Laura Gemser, who would star in many of his films and in the 1980s and early 1990s would also regularly work as costume designer for his productions. An allonym is distinguished from a pseudonym in that it is the given name or pseudonym of a different person from the one who should be credited. Noyes, Mike (May 18, 2011). Alessio Lazzareschi Executive Producer ... Tim Curtin's handheld camerawork and Dan Romer's score are restless and energetic. [85][86], Later in 1993, D'Amato went back to predominantly producing and directing hardcore pornography. [7][8], Joe D'Amato was born on 15 December 1936 in Rome, Italy. Ugo D'Alessio (Nápoly, 1909) Franca D'Amato (Nápoly, 1959) Michele D'Anca (Róma, 1963) Gianfranco D'Angelo (Róma, 1936) Tosca D'Aquino (Nápoly, 1966) Paola D'Arienzo (Torino, 1975) Valeria D'Obici (Lerici, 1952) Umberto D'Orsi (Trieszt, 1929 – Róma, 1976) Isa Danieli (Nápoly, 1937) Carlo Dapporto (Sanremo, 1911 – Róma, 1989) Massimo Dapporto (Milánó, 1945) … [153][154], In 1999, Andreas Schnaas shot a remake of, and homage to, D'Amato's Antropophagus entitled Anthropophagous 2000. [50] (Eva nera had done very poorly at the Italian box office and therefore was still relatively unknown. Born in Rome, he was the son of architect Pio Piacentini. Among his best known erotic films are his five entries into the Black Emanuelle series of films starring Laura Gemser (1976–1978)[5] and his horror/pornography crossover films Erotic Nights of the Living Dead and Porno Holocaust (both shot in Santo Domingo in 1979). Alessio Benci Carlos Sanchez. [131] And for Il labirinto dei sensi, he signed his scenario with Leslie Wong while using Joe D'Amato and Federico Slonsiko for the directorial and cinematographic credits respectively.[132]. [84], In 1993, inspired by the success of the Chinese erotic comedy Sex and Zen (1991), D'Amato then went to the Philippines to shoot a number of Asian themed softcore films, for which he often used Chinese pseudonyms. [57] Il succo del sesso (1982; a punning title which can mean both "The Essence of Sex" and "The Juice of Sex") was the only film of this period that was directed but not produced by D'Amato, being a "Promo Film" production of Giovanni Perrucci's. film cost 55 million lire, was shot in 10 days, edited over a period of two months, and had a generic title such as Super climax, Super hard love or Voglia di sesso (literally: Lust for Sex). [80] Then, he revived the character of Sarah Asproon in 11 Days, 11 Nights 2, this time played by Kristine Rose and again set in New Orleans. Sharing economy is an economy system in which assets or services are shared between private individuals, either for free or for a fee, typically by means of the internet. Cinematographer: Emilio Foriscot, Cameraman. : 5), 10 of which he directed and lensed himself, while 3 of the films (Blue erotic climax, Labbra vogliose and Le porno investigatrici) were directed by Claudio Bernabei. Some of them occur naturally in blood-eating animals such as leeches and mosquitoes, where they help keep the bite area unclotted long enough for the animal to obtain some blood. Paestum (/ ˈ p ɛ s t ə m / PEST-əm, US also / ˈ p iː s t ə m / PEE-stəm, Latin: [ˈpae̯stũː]) was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). [55] One notable exception was Porno video (1981; sometimes: Pornovideo), which was directed entirely by Giuliana Gamba (under the pseudonym Therese Dunn);[56] it was the first film D'Amato produced for another director – a practice he would start expanding six years later in his Filmirage period. For I racconti della camera rossa he used Robert Yip as director, Lim Seng Yee as scenarist and Boy Tan Bien as cinematographer. [134], Oskar Faradine, the pseudonym of Oscar Santaniello, was used for the directorial credit on A Bounty Killer in Trinity. The Untold Story in both a hardcore and a softcore version, starring David Brandon, Laura Gemser and Gabriele Tinti. [142][143], Gemser also remembered that D'Amato rarely got angry, and that when it happened he usually took it with irony; when deeply angered, however, he would shout and curse and become insufferable. Alessio Babbi; Alessio Butti; Alex Bazzaro; Alexander de Giallo; Alfio Castagno; Alfonso Bacci; Alfonso Bonafede; Alfonso d'Avalos ; Alfonso d'Este; Alfonso Ferrero La Marmora; Alfonso II of Naples; Alfonso of Aragon; Alfonso of Capua; Alfonso V of Aragon; Alfredo Bazoli; Alfredo Bonavita; Alfredo Guzzoni; Alice Andreotti; Francesco Alidosi; Aligern; Dante Alighieri; Almerico … [35] He returned there in September to shoot the mercenaries-at-war film Tough to Kill. The pseudonym Michael Wotruba was used as D'Amato's directorial credit on: This pseudonym is also to be found as directorial credit for Death Smiles on a Murderer (1973) in the entry at Public Cinematographic Register, but was later changed to D'Amato's birthname for the release.[115]. "[33], Of the 12 films D'Amato directed in 1978 and 1979, 9 were shot in the Dominican Republic. [147], The Joe D'Amato Horror Festival, under the art direction of Paolo Ruffini, was held for the first time in Pietrasanta in April 2007. In a 1982 interview, he said that once the trip was paid for, the costs were low and the setting suggestive ("the Caribbean... all for free"; Italian: "i Caraibi... tutto gratis"). For his first work as camera operator, it was the only name he was credited with, and as cinematographer, writer of stories and scriptwriter, he credited himself or was credited with it regularly until the early 1980s. [149] Among the guests was D'Amato's son Daniele Massaccesi, who said that it had been above all the passion for cinema – to never stop making films at any costs – that D'Amato had wanted to pass on to the younger generation of filmmakers. It was released on Netflix on January 2, 2020. [135] Lupi, however, in his monograph on D'Amato argues on qualitative grounds for Santaniello as actual director. (an acronym for [Aristide] Massaccesi, Alessandroni, and [Donatella] Donati) on 15 January 1980 and 9 January 1981, respectively. [90] The crew on an early 35mm shoot such as Juliet & Romeo had been much larger, including lighting staff, camera assistants, make-up artists, and set decorators; dubbing was done in post-production. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 550 to 450 BC, which are in a very good state of preservation. He wasn't only a director/producer, he was also a cameraman. Salve, sono Giuseppe Iacobaci, la persona che ha creato e che amministra questa pagina... :-) Mi permetto di invadere allegramente questo spazio dedicato al nostro amato … According to D'Amato, Donato had planned to direct the film, but only directed the first scene. [117] D'Amato used the name Dario Donati as director and editor on Convent of Sinners (1986)[128] and as director on Delizia (1986). [142] Donatella Donati, his regular assistant since the mid-1970s, recalled this penchant as his biggest flaw; in Cannes, she once found him asleep on the office floor. Alessio Alfeo Alfiero Alfio Alfonso Alfredo Alighiero Aligi Almerino Almirante Aloisio Altero Alvaro Alvise Aniello Amanzio Amato Ambrogio Amedeo Amerigo Amilcare Amleto Amneris Amos Ampelio Anacleto Anania Anastasio Anatolio Anchise Andrea Angelo Aniceto Annibale Ansaldo Anselmo Ansovino Antenore Anteo Antero Antimo Antioco Anto Antonino … Bergman was the main actress, but D'Amato directed the film. Directed by Francesco Amato. Movie business was very good. [12] Joe D'Amato became the name Massaccesi was most associated with, even more than his birth name. Donatella Donati, the daughter of Ermanno Donati, became D'Amato's assistant and constant collaborator, usually acting as production secretary and assistant director. [58], The average Cinema 80 or M.A.D. As producer, D'Amato used this pseudonym on Troll 2[121] and Interzone. [37][9], The two companies were the main vehicles for D'Amato's film production of this period. Create and share beautiful infographics, online reports, and interactive maps. In this first film, she only played the small part of a French maid, but it was during the shoot that D'Amato got the idea to use her as star in his next film. Cinematographer: Francisco Marin. [65], In 1982, D'Amato used Filmirage to produce, shoot and direct the first film of the Ator series: Ator l'invincibile (Ator, the Fighting Eagle) starring Miles O'Keefe and Sabrina Siani, which was directly inspired by Conan the Barbarian. ; Dacă nu este precizată etnia unei persoane, se subînțelege că acesta este italiană. [37] Officially, Bernabei was both executive manager and director, his pseudonym Alexander (or Alexandre) Borsky being used for almost all directorial credits although the films were for the most part directed by D'Amato personally, who was only given credit in the non-committal phrase "a Joe D'Amato film" (Italian: un film di Joe D'Amato) used for marketing purposes. d'Alessio Daley Dalgleish Dalglish Dalhuisen Dalkiran Dalí Daling Dalkin Dalla Dallaporta Dallas Dallesandro Dallinga Dalloway Dalm Dalton Daltry Daly Dalziel Dam Daman Damanaki Damant Damas Damasceno Damato D'Amato d'Ambrosio D'Ambrosio Dambuisness Damen Dames Dametto D'Ametto Damhuis Dami Damiaans Damian Damiani Damiano Damiani … and Filmirage) and its follow-up, the slasher film Absurd (1981, co-produced by Filmirage and Metaxa), both of which starred George Eastman and later became cult films for fans of extreme cinema. From 1980 until 1982, D'Amato produced 14 hardcore pornographic films through both companies (Cinema 80: 9 films, M.A.D. [63] It survives only in a truncated softcore version.

Cska Moscow Basket Twitter, Forbes Yuan Pay, Traduttore Maltese Italiano Vocale, Piano Strutturale Montalcino, Baia Di San Paolo, Investire In Bitcoin Conviene, Buona Fortuna Charlie Teddy E Spencer, Commissioni Binance Carta Di Credito, Miami Open Stream,