This is especially rare and noticeable as Gattamelata was not a head of state. While there had been some other equestrian works executed over the centuries, there were none like this. The statue depicts Erasmo da Narni, a military leader who was nicknamed Gattamelata. Donatello also conveys Gattamelata's power with symbolism. As an Amazon Associate the site owner earns from qualifying purchases. Donatello portrays Gattamelata as a composed, alert and watchful leader. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Gattamelata on horseback, bronze sculpture by Donatello, 1447–53.

"Donatello (ca. This is a site for information and analysis of the world of the Italian Renaissance. Remaining in Padua until 1453 CE, Donatello produced a sculpted altarpiece (now dismantled) composed of various saints around the Virgin and Child. While the Bamberg Horseman depicts a German emperor, it lacks the dimension, power, and naturalism of Gattamelata. (This payment has been disputed. He commands a powerful horse and both appear ready for battle. The pedestal under the horse is composed of two reliefs toward the top with fake doors underneath. It was completed in 1453 and is unique among his works for still remaining in the location where it was first installed. Updates? Erasmo of Narni (1370 – 16 January 1443), better known by his nickname of Gattamelata (meaning "Honeyed Cat"), was an Italian condottiero of the Renaissance. "Equestrian monument of Erasmo da Narni, called Gattamelata". Instead of portraying the soldier as larger-than-life, as in the classical Equestrian Statue of Marcus Aurelius in Rome, where a sort of hierarchy of size demonstrates the subject's power, Donatello used emotion, position, and symbolism to convey the same message.

The realistic depiction of its muscular form reveals the Renaissance concern with anatomical study that was later developed in Leonardo da Vinci's studies for the Sforza equestrian monument. His body is in natural proportion to his horse (something that is not always true with other equestrian statues), which indicates that Donatello was trying to achieve a high level of naturalism here. The other relief is of angels displaying battle armor.[5]. Web. This statue was raised by his family to honor the General. Standing … Read More →. Draper, James David. The statue, as were all bronze statues of this time, was made using the lost wax method. It was completed between 1447 and 1450 but was not installed on its pedestal in the Piazza del Santo in front of the Basilica of Sant’Antonio in Padua, Italy, until 1453. In. Announcing our NEW encyclopedia for Kids! One of the great works Donatello created while in Padua was the Gattamelata, the name of which means “honeyed cat”. It is therefore likely that the Venetian Senate had to authorize the creation of this work by making an exception to its rule.
Khan Academy>. The piece was commissioned by the Republic of Venice to memorialize Erasmo da Narni. The horse's front left hoof rests on an orb, a cannonball, which symbolizes military advances, representing his power of the Venician army. 1386–1466)". According to Vasari, the work was compared to antique sculpture during the Renaissance. Gattamelata, bronze statue of the Venetian condottiere Erasmo da Narni (popularly known as Gattamelata, meaning “honeyed cat”) by the 15th-century Italian Renaissance sculptor Donatello. The statue established a prototype for equestrian monuments in the West. Web.

The doors symbolize the gates of the underworld, lending the feeling of a tomb, though the monument was never a burial place. This funny-sounding name was the nickname of Erasmo da Narni, a condottiere (mercenary) who fought for Venice and is the person depicted riding the horse. After Erasmo of Narni's death in 1443, according to John Julius Norwich, the Republic of Venice, as a sign of gratitude and respect, paid for a sculpture in his honor.

The depiction of force of character and the reference to the power of real people flows with the Renaissance themes of individualism and humanism. Links on this site are affiliate links.

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